By the end of November 2016, we had researched, designed and successfully cut the project stone. It was going to take a further two months before we could get into the studio and make some professional recordings.The stone had still to be polished and the lamellas needed to be developed and fully played in. This gave me the opportunity to make some initial recordings of the stone to explore its sonic potential. I decided to compose a short suite of pieces exploring various compositional styles in order to assess the versatility of a virtual stone sound instrument. 

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